UX
SESSION_ACTIVE
A London street at blue hour
UX RESEARCHBRAND STRATEGYECV WORKSHOP2026
ECV Paris x Master UX/UI Design workshop
SpareRoom logo
SUPERVISED BYPierre-Louis BouvierECV · Creative Design: visual culture and graphic design

KNOW WHO YOU'LL LIVE WITH

A research-led rebrand

A rebrand of the UK's biggest flatshare platform, built on research first. I audited the live site, read what renters fear most, and rebuilt the brand around one promise: you meet the people before you move in.

My role
UX research, brand strategy, visual identity, screens
Context
Creative Design workshop, 14 to 24 September 2026, supervised by Pierre-Louis Bouvier
Methods
Expert audit (Bastien & Scapin), review mining, personas, user journey, wireframes
Tools
Excel, PowerPoint, Illustrator, Photoshop
Audit findings
46
Critical
6
Wireframes
11
Brand book boards
56
School project, not affiliated with SpareRoom. Research files in English, brand book in French.
cover
The problem

SpareRoom sells volume: "The UK's Number 1 Flatshare Site". People looking for a room fear something else: losing a deposit, being ignored, moving in with strangers. And the site never shows who lives in a room.

What I did

An expert audit with 46 findings, a close read of real reviews, personas and a user journey, then wireframes before any colour. Only after that: positioning, identity and screens.

The outcome

A brand that puts people first, 5 desktop pages and 6 mobile screens that answer the critical findings, and a 56-board brand book with print, social and merch.

00 / THE BRIEF

What the workshop asked for

The module, "Creative Design: visual culture and graphic design", supervised by Pierre-Louis Bouvier, asked us to build a coherent visual identity from a strategic brief: not just a logo, but a brand positioning, a visual territory, an understanding of a sector's codes, and the ability to defend art direction choices.

Mon 14Research and visual culture3 competitors minimum, commented moodboards, first positioning ideas
Tue 15Brand DNAMission, values, target, positioning, tone, personality, design intent
Wed 16Graphic explorationSeveral argued directions, first logo proposals, start of a visual system
Thu 17Art directionFinal logo, colour palette, type system, group review
Fri 18RolloutA homepage, a mobile screen, a social post, a brand book in progress
Thu 24Final pitchContext, positioning, references, art direction, identity, applications
Graded on

Relevance of the positioning, coherence of the art direction, graphic quality of the identity, ability to argue the choices, quality of the oral presentation.

What I added

The brief starts from competitors and moodboards. As a UX researcher, I started earlier: an expert audit of the live site, a reading of real reviews, personas, a user journey, a restitution deck and wireframes. Every brand decision that follows comes from that research.

01 / CONTEXT

A leader that looks like everyone else

The brief: rebrand an existing brand in five days. I picked SpareRoom because it has everything a leader needs and nothing that makes it recognisable. Its house icon, its trust blue and its free sans-serif are the same codes as four of the six competitors I benchmarked.

The brand

Founded in 2004. 114,285 rooms and flatmates listed on 4 October 2026. Rated 4.7 out of 5 on Trustpilot by more than 20,000 people. Publishes the reference index for room rents.

The market

A room in inner London costs £979 a month on average (SpareRoom Rental Index, Q2 2026), up 37% in five years. Only 5 London postcodes are still under £800.

The fear

4,092 rental scams reported in 2025-2026, with £3,138 lost per victim on average, up 46% in two years (Action Fraud).

02 / RESEARCH

Auditing the live site

Before drawing anything, I went through spareroom.co.uk as a logged-out visitor, on desktop (1440 px) and on mobile (390 px), along two journeys: finding a room, and listing one. Every finding is tied to a Bastien & Scapin criterion, rated on five levels, documented with a screenshot and a recommendation a designer can act on.

6
17
10
3
10
Critical 6/46Major 17/46Minor 10/46Informative 3/46Positive 10/46
Excerpt from the audit grid built in Excel: 46 rows, each with its page, criterion, comment, criticality and recommendation.
Excerpt from the audit grid built in Excel: 46 rows, each with its page, criterion, comment, criticality and recommendation.
No people, anywhere
CriticalInformation density
No people, anywhere

A listing describes the parking and the garden, never the flatmates. Yet who lives there is the first thing a renter wants to know, and the main thing they fear.

You don't find what you searched for
CriticalSignificance of codes
You don't find what you searched for

"Rooms to Rent in London" mixes rooms, whole five-bed houses and agency studios, with unexplained badges like FEATURED or BOOSTED.

A promise about the platform, not the person
MajorCompatibility
A promise about the platform, not the person

"The UK's Number 1 Flatshare Site" talks about SpareRoom. The person arriving wants a room and wants to know who they'll live with.

Two more critical findings sit behind the Message button: a full sign-up form before the first message, and the Early Bird rule that stops free accounts from contacting ads younger than 7 days.

What already works, and stays
  • One search field at the centre
  • The Trustpilot rating, visible straight away
  • The advertiser's role shown on each result
  • A sticky Message button on mobile
03 / RESEARCH

What renters actually say

Then I read the 1 and 2-star reviews on Trustpilot and the press. Not to measure satisfaction (the average is 4.7), but to find the fears. Three keep coming back: losing money, being ignored or judged, and not knowing who you'll end up with.

"I paid a holding deposit for what I thought was a house share turning out to be only a room"

Trustpilot review, August 2026

"landlords ignore your messages, and there is no option to chase them"

Trustpilot review, August 2026

"Obviously, you can't help but take it personally."

Frances, 25, quoted by Vice, 2023

"Treated me like a common criminal even though I didn't do anything unlawful"

Trustpilot review, August 2026
INSIGHT

Looking for a room works like dating: you sell yourself, you wait, you get ghosted. The brand can make that moment more dignified.

04 / SYNTHESIS

Personas, journey and restitution

Lena, 26
Lena, 26
The seeker

Moving from Leeds for a job at Homerton. Searches at night on her phone, writes to ten ads a day, gets one or two answers.

"I feel like I'm going to job interviews for the right to sleep somewhere."

Tom, 29
Tom, 29
The flatmate in place

Developer in Hackney. Posts the ad on a Sunday, gets 80 messages in two days, can't answer everyone.

"I'm not looking for a tenant, I'm looking for someone to share the kitchen with."

Margaret, 61
Margaret, 61
The live-in landlady

Rents out her children's old room in Walthamstow. Posts once a year, answers by email.

"I'm renting a room, not my house."

Built from the reviews and press quotes. First names and quotes are imagined.
User journey (PDF): Lena's six steps, from search to moving in, with her fears and the opportunities at each step.
User journey (PDF): Lena's six steps, from search to moving in, with her fears and the opportunities at each step.
Restitution deck built in PowerPoint (24 slides): objectives, scope and method, audit synthesis page by page with recommendations, and the target site architecture.
Restitution deck built in PowerPoint (24 slides): objectives, scope and method, audit synthesis page by page with recommendations, and the target site architecture.
Restitution: the six proposed features, each one tied to a critical finding.
Restitution: the six proposed features, each one tied to a critical finding.
05 / STRUCTURE BEFORE STYLE

Wireframes

Eleven annotated wireframes, five desktop and six mobile. Each note points to the number of the finding it answers, so every decision can be traced back to the audit. Colour and type came only once this structure held.

Home, desktop
Home, desktop

The promise of use replaces "The UK's Number 1 Flatshare Site" (finding 1). Three entries written as verbs replace "Rooms / Flatmates / Buddy ups" (2), the single search stays (3) and every card says who lives there (14). The footer goes from 40 links in 7 columns to 3 columns (44).

Listing, desktop
Listing, desktop

"Who lives here" moves to the top, before the description (18), with ID verification on each person (21). The four deciding facts come first (20), free text in capitals becomes guided fields (19), and the reply time sits next to the button (22).

The "you and them" pair, mobile
The "you and them" pair, mobile

The one screen that answers no finding: it's a new feature. The pair lights up when both sides say yes, and a 6-step gauge shows where you are, so nobody is ignored in silence.

06 / STRATEGY

From volume to people

The positioning map showed an empty space in London: a warm brand centred on people. Ideal Flatmate and Badi talk about people, but Badi has left the UK. SpareRoom, sitting in the middle, has the audience to take that space.

Before

"The UK's Number 1 Flatshare Site." The most ads, the most people. Safety at the bottom of the page, people third.

After

The flatshare platform where you meet your future flatmates before moving in, because it has gathered the UK's largest flatshare community since 2004 and checks every ad.

Positioning map built in Illustrator with the official logos.
Positioning map built in Illustrator with the official logos.
Waiting for a reply(nothing)Tom read your message. He usually replies within a day.
Rent£875 pcm£875 a month. That's about average for Harlesden.
Refusal(silence)The room's gone, but three similar ones opened nearby today.
07 / IDENTITY

A lit window means someone's home

I kept what the brand already owns and gave it a meaning. The navigation blue becomes the blue-hour sky, the orange of the buttons becomes the lamp, and the house icon, shared by the whole sector, becomes a lit Georgian fanlight: the most recognisable detail of London front doors.

Before and after

The name, the blue and the place of the logo stay, so regular users recognise it on day one. What changes is what the icon says.

BeforeSpareRoom logo, Before
AfterSpareRoom logo, After
IconA house outline, the icon the whole property sector shares→ A lit Georgian fanlight, the detail above London front doors
What it says"We list homes"→ "Someone's home": the light is on, people live here
ColourTwo blues, the icon lighter than the name→ One blue, SpareRoom's own #005480, and amber for the light
WordmarkA rounded sans-serif, close to the rest of the sector→ Atkinson Hyperlegible Next: 0 and O, 1 and l never get mixed up
SpareRoom blue#005480
Lamp#FF690C
Amber#FFBF00
Ink#16232D
Night#0B3550
Mist#F2F5F7
Colour

SpareRoom's own blue #005480 is kept. The orange is flattened and always carries dark text (5.6:1, where the current white-on-orange fails WCAG at 2.9:1). Amber means light: a verified flatmate, a step completed.

Typography

Atkinson Hyperlegible Next, designed for the Braille Institute. It tells 0 from O and l from 1, which matters when you read postcodes like E8 or N16. A serif italic is reserved for one thing: the flatmates' own words.

Signature

The doorbell plate. Every flatmate is a bell with their name, and it lights up when they've verified their ID. The last label is empty: that's the spare room.

The doorbell plate, the signature element.
The doorbell plate, the signature element.
Aa 0O 1lAtkinson Hyperlegible Next"Quiet weeknights, big Sunday lunches."Serif italic: the flatmates' own voice
Both voices on a mobile listing.
Both voices on a mobile listing.
08 / DESIGN

Each screen answers a finding

Five desktop pages, presented before and after. Each change is tied to the finding and the criterion it answers.

Home
Before
Home before
After
Home after
Compatibility, major
A promise about the platform
→ "Meet the people before you move in."
Prompting, major
"Buddy ups", an in-house word
→ Three entries in plain words
Density, minor
People come third, without proof
→ Lena's twelve days, told step by step
Search results
Before
Search results before
After
Search results after
Codes, critical
Rooms, houses and studios mixed
→ Rooms in shared homes only, whole flats apart
Density, critical
Nothing about flatmates
→ Faces and first names on every listing
Feedback, major
Contradictory counters
→ "8,412 rooms" and a named sort
Listing
Before
Listing before
After
Listing after
Density, critical
No section about the people
→ "Who lives here", written by the flatmates
Error management, major
Safety advice in small print
→ "Stay safe" next to the button, when it matters
Personal data, major
No idea what gets shared
→ "They'll see your first name, age and what you write."
Message: write first, sign up after
Message: write first, sign up after
UX

Findings 26 and 27 were the two biggest walls: a full sign-up before the first word, and Early Bird making new ads paid. Here contact is free and you write first. The account comes after, in one step with Google, Apple or an email.

UI

Tom and Sam's questions, taken from their ad, tick themselves off as you type, so the message answers what they need. A live card shows exactly what they'll see, and the line next to the button says what is shared.

Fill a room: three steps instead of six
Fill a room: three steps instead of six
UX

Posting went from six steps to three (finding 34). The new "Who lives here" step introduces each flatmate instead of a number (35), and each one approves their own profile before it goes live: consent is part of the flow.

UI

The progress bar uses the brand's amber. On the right, the card updates as you type, so the advertiser sees what seekers will see. The serif italic is kept for the flatmates' own words.

Mobile, Lena's journey
HomeHome

The promise first, one search, and the two other entries as plain links. No app banner on the first screen (finding 9). The doorbell plate shows the idea before any text explains it.

ResultsResults

"8,412 rooms in shared homes": an exact count, rooms only (10, 13). Each card gives the price against the area average and the faces of who lives there (14).

ListingListing

"Who lives here" comes before the description, in the flatmates' own words, with "ID checked" next to each name. The fixed button says messaging is free (22).

Video callVideo call

Step 3 of the gauge: the call is planned inside the conversation, with a reminder to keep messages on SpareRoom. Lena meets them before travelling anywhere.

Fill a roomFill a room

One question per screen, big + and − buttons instead of dropdowns from 1 to 12 (37). Flatmates appear as doorbells and light up once they approve their profile.

SentSent

Never silence (29): reply time, what happens if the room goes, and a safety reminder at the moment it matters (23).

09 / SOCIAL

Instagram: show it, don't claim it

Three posts and a profile built from the same system. Each post answers one fear from the research instead of repeating "Number 1".

This one's free.This one's free.

The doorbell plate on a real London front: two flatmates lit, an empty bell for you. The promise, shown without a word of advertising.

We check every ad.We check every ad.

Answers the first fear in the reviews, losing money. Four checks in plain words, the same as on the "How we check" page.

In their own wordsIn their own words

A testimony in serif italic, the flatmates' voice from the brand book. It tells Lena's story: three video calls before the train.

The profileThe profile

The highlights follow the site's entries: Moved in, How we check, Rooms, Flatmates. The grid alternates designed posts and photos of homes and people.

10 / PRINT AND MERCH

Objects people would actually use

Merch for moving-in day, not for a trade fair: small marks, short phrases from the flatmates' vocabulary, and the window card back in the newsagent's window, where flatsharing started. Mockups built in Photoshop.

"Say hi, I'm new." for moving-in day
"Say hi, I'm new." for moving-in day
The tagline on the back, small, like a label
The tagline on the back, small, like a label
The fanlight on its own, on a trucker cap
The fanlight on its own, on a trucker cap
Laptop stickers: the tagline, the badge and a flatmate's line
Laptop stickers: the tagline, the badge and a flatmate's line
"Kettle's on." for the shared kitchen
"Kettle's on." for the shared kitchen
Window card at real scale, in a London newsagent
Window card at real scale, in a London newsagent
THE FINAL DECK

The 56 boards presented at the final pitch, in French. Scroll, or click a board to enlarge it.

01 / 56
Board 1Board 2Board 3Board 4Board 5Board 6Board 7Board 8Board 9Board 10Board 11Board 12Board 13Board 14Board 15Board 16Board 17Board 18Board 19Board 20Board 21Board 22Board 23Board 24Board 25Board 26Board 27Board 28Board 29Board 30Board 31Board 32Board 33Board 34Board 35Board 36Board 37Board 38Board 39Board 40Board 41Board 42Board 43Board 44Board 45Board 46Board 47Board 48Board 49Board 50Board 51Board 52Board 53Board 54Board 55Board 56
11 / FILES

Download the deliverables

The research files translated into English. The brand book, the deliverables and the full case file are shown as presented, in French.

12 / TAKEAWAYS

What I'd keep from this project

A rebrand is a product decision

"Know who you'll live with" is an empty slogan unless every listing shows who lives there. The promise had to become a section of the product before it could become a tagline.

Keep what the brand already owns

The audit showed what users already recognise. Keeping the blue and the orange, and changing what they mean, kept the trust a leader has built over twenty years.

Write findings a designer can build

Every recommendation in the grid is a sentence someone can turn into a screen, and every wireframe note points back to a finding number.

13 / IF THE PROJECT CONTINUED

What I'd do next

The workshop ended at the pitch. If SpareRoom picked the project up, this is how I'd take it from a rebrand to a product that proves its promise.

01
Test

Moderated tests with 5 seekers and 5 advertisers on a clickable prototype, on two scenarios: choosing a room with "Who lives here", and sending a first message without an account.

02
Measure

A baseline before launch, then four numbers: share of visitors who send a first message, reply rate within 48 hours, time to a viewing, and scam reports per 1,000 ads.

03
Pilot

"Who lives here" and free contact in London only, as an A/B test against today's listing, while watching the advertiser side: does Early Bird revenue move to promotion tools?

04
Extend

Audit the logged-in area left out of scope, run a full WCAG 2.2 review, and turn the screens into a shared design system in Figma for the product teams.

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UX
MAYARE OUASSOU
UXR / UX-UI / Product Designer
> Designing for humans,
> in a world of machines.
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